Wicked

The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana GrandeWith millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination.

"An outstanding work of imagination." — USA Today

“I knew that Gregory Maguire had come up with a genius idea the moment I heard about Wicked. It’s a book that has changed a lot of lives, including mine.” — Stephen Schwartz, composer and lyricist of Wicked: The Musical

"Maguire did something truly remarkable with this novel, in managing to inhabit, enlarge, deepen and find new dimensions in a world that had been invented by another writer, and in doing so make something entirely new. It’s an astonishing achievement." — Philip Pullman

“Listen up, Munchkins. Stop your singing, stop the dancing. The Wicked Witch is no longer dead. But not to worry. Gregory Maguire’s shrewdly imagined and beautifully written first novel, Wicked: The Life and Times of the Wicked Witch of the West, not only revives her but re-envisions and redeems her for our times.” — Newsday

“At the heart of this remarkable, unforgettable novel is a wildly original premise—one that only a writer with Gregory Maguire’s intellect and daring could have dreamed up: that the Wicked Witch of the West was a real woman, with an actual name, and her own story to tell. It was radical when Gregory first wrote it, and remains radical. It has the power to reshape one’s view of the world.” — Winnie Holzman, co-writer of Wicked: The Musical

"Gregory gets the complications and uniqueness of women very well." — Kristen Chenoweth

“Long before there was any thought of a musical, I read Wicked. I felt a quiet joy that sisterhood had made its way to the Yellow Brick Road. What happens when a witch, green or otherwise, gets to tell her own story instead of being vilified and misrepresented by dominant cultural authority? We witches know how that turns out!” — Holly Near